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Notes on Reading Harris's  
 
Notes on Reading Harris's  
Treatise
+
Treatise on Art
 +
 
 +
(2)
 +
 
 +
It is common to every Art to be
 +
a Cause, and to have the additional
 +
requisite of Intention, Reason, Volition
 +
and Consciousness; so that not every Cause
 +
is Art, but only voluntary, intentional and
 +
habitual Cause; it is a power in man of
 +
becoming Cause. To every Art belongs
 +
a system of various and approved Precepts.
 +
 
 +
(1)
 +
 
 +
Art is something learnt, something
 +
secondary and acquired, and never original
 +
to any being which possess it.
 +
 
 +
(3)
 +
 
 +
Art can have no relation to the steady,
 +
abstract and neccesary Nature, but to
 +
the transient, particular and contingent
 +
one; from whence it follows that [[unclear]]
 +
regards all those contingent Nature which
 +
[[deletion]] common or universal subject [[/deletion]]
 +
lie within the reach of the human Powers
 +
to influence.
 +
 
 +
We may naturaly suppose that the
 +
[[deletion]] Cause which first [[/deletion]] [[addition]] beginning motives [[/addition]] or principle of Art arose
 +
from the want or absence of something
 +
appearing good; relative to human life,
 +
and attainable by Man, but superior
 +
to his natural and uninstructed Faculties ^
 +
and that every Art will be accomplished
 +
and ended in a Work or Energy; the distinction
 +
of the two last words may require a little
 +
explanation; by energy ^ [[addition]] or operation [[/addition]] is meant every
 +
production the parts of which exist
 +
Successively, and whose nature hath
 +
its being or essence in a transition, by

Latest revision as of 21:38, 30 May 2018

Notes on Reading Harris's Treatise on Art

(2)

It is common to every Art to be a Cause, and to have the additional requisite of Intention, Reason, Volition and Consciousness; so that not every Cause is Art, but only voluntary, intentional and habitual Cause; it is a power in man of becoming Cause. To every Art belongs a system of various and approved Precepts.

(1)

Art is something learnt, something secondary and acquired, and never original to any being which possess it.

(3)

Art can have no relation to the steady, abstract and neccesary Nature, but to the transient, particular and contingent one; from whence it follows that unclear regards all those contingent Nature which deletion common or universal subject /deletion lie within the reach of the human Powers to influence.

We may naturaly suppose that the deletion Cause which first /deletion addition beginning motives /addition or principle of Art arose from the want or absence of something appearing good; relative to human life, and attainable by Man, but superior to his natural and uninstructed Faculties ^ and that every Art will be accomplished and ended in a Work or Energy; the distinction of the two last words may require a little explanation; by energy ^ addition or operation /addition is meant every production the parts of which exist Successively, and whose nature hath its being or essence in a transition, by